the idea behind this is that the one would be somebody. one can be used to be refered to a person. i played around with the one person in the million and the million being the room he is in.

 all apple pc but one of the lights on the front is a pear. 1 in a million

 allpe pc. apple fruit.

 millions of weres wallys one of them doing something different.

i thought i would include myself instead of anothers weres wally as i thought it would help see the one standing out and would also have a comical affect.

 lottery relates to money . million related to million. i wanted to have one lottery ball saying one million.

here i made one of the soldiers different by puting him with modern military equipment.

the one in the million doing and being differnt.

Ilistration

here i was playing with sweets felated with abundance also they are called millions.

 this one has a different colourd sweet to highlight the one in the million

 here i made a 1 sweet and included it into the pile of millions

 a close up . playing with composition

 srawing one in the million

 using hundreds and thosands to ilistrate the one in the millon

 hundreds and thosands in the one.

one hidden in the million just ledgable.

 the idea for this work was to give that one in a million a personality. becouse the meaning of the saying is chigliting that one person that is different to the rest.

 using ones as a brush to make up the million and a higher case one. also the abundace of ones inforses the idea of abundace employing millions.

 different variations of using the one within the million

again with the same idea but using tipe of the word one instead of the symbol

remote controled art.
after workining with string and wood to create distance. i reolised if i wanted grate distances i would have to look in rmotley doining something. in its simplest form i modified an rc car to indent or imprint on to paper. the car itself was very difficult to controle so the recponce on the canvas/ paper was iratic randon micanical.

i really like the way the pens worked the canvas as stey left quite pragile delicate lines. the intrest comes when you look very closley you cas see the small pauses and gitters of the car.

in the near futcher i will be experimenting with the media for leaving marks.

 eight feet long

 15 feet long

 22 feet long.
at this point tyhe wood became to bendy and uncontrolabe. through this i disided to continue but to do it on the vertical to minamalise bend in the wood.

 22 feet vertical

29 feet vertical. i could have gone futher but the were no more stares. it this point also the writing became to ilegabe and almost abstract.